Selected Amiga​/​BBC Micro Works 85​-​92

by Max Tundra

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1.
01:44
2.
01:26
3.
03:03
4.
01:18
5.
01:33
6.
00:25
7.
8.
03:24
9.
01:18
10.
01:09
11.
02:06
12.
01:43
13.
02:51
14.
00:44
15.
02:14
16.
00:44
17.
01:24
18.
02:21
19.
20.
21.
02:21
22.
23.

about

Limited edition actual cassette version available now:

marvelloustone.bandcamp.com/album/mt020-max-tundra-selected-amiga-bbc-micro-works-85-92

This is an album of two halves, entirely recorded during my childhood.

Selected Amiga/BBC Micro Works 85-92 is a curious mix of throwaway song-titles, rave- and videogame-influenced programming and pubescent reimaginings of the musical themes of the time. It is a fascinating precursor to "With Love To Mummy" - the next stepping stone on the path to the subsequent Max Tundra sound - also available here on Bandcamp. It is fairly easy to infer the kind of music I was listening to as a kid, some of which is still buzzing around my head these days.

Tracks 1-13 were created on my old Commodore Amiga 500. Tracks 14-23 were done on a BBC Micro at school. The latter were produced first - from the age of 11 - but I've put them at the end so as not to scare you off.

Tracks 1-13 (Commodore Amiga 500, 1MB):

Programmed using a variety of tracker sequencers, before eventually settling upon Teijo Kinnunen's marvellous Med v2.13, with which I then went on to produce almost everything on my three Domino albums. Not bad for a free floppy disk on the cover of Amiga Format magazine (Issue 31, December 1990).

All sounds via the Amiga 500's Paula sound chip, with four 8-bit PCM-sample-based sound channels and no external instruments as I hadn't rigged the thing up to MIDI yet. Panned centrally and compressed slightly, but otherwise untweaked.

Tracks 14-23 (Acorn BBC Micro Model B, 32k):

Recorded in the computer lab at Alleyn's School in south London, onto a compact cassette tape recorder, the microphone of which was shoved against the tiny external speaker of the BBC Micro, hence the insistent background chatter of eighties schoolchildren.

The "sequencer" was a BBC BASIC program someone had written, which played a bleepy version of "Close (To The Edit)" by The Art Of Noise. The notes and "drum" sounds were represented by a string of letters and numbers in quotation marks after a bunch of complex code. I would sit at my Granny's kitchen table with squared notepaper and a biro, writing out representations of songs which would then replace the letters and numbers in "Close (To The Edit)" so as to reproduce the tune in question.

Bodmix and Bodmix 2 are my first attempts at "megamixes", and are influenced by the "Max Mix" compilations I heard once on a summer holiday in Spain. It is with these two tunes that I really feel I pushed the squared-paper-and-biro working method to its limit.

All sounds created within the constraints of the BBC Micro's inbuilt Texas Instruments SN76489 sound chip, which provides three square-wave tone generators, plus a white-noise generator for approximating drum sounds. Additional sonics are the clunking and hissing of a tape recorder and the aforementioned pupil-based background noise.

credits

released 06 April 2014

All songs programmed by Ben Jacobs between 1985 and 1992.

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about

Max Tundra London, UK

Ben Jacobs grew up in London. He went to the same school as Jude Law and a Chemical Brother, but didn’t know them.

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